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Cinemalaya LGBT films on sexual abuse, aliens, folklore, identity formation and depression

Kuwentong Peyups by Atty. Dennis Gorecho

“May sasabihin ako.”

The words of Eric (played by Carlo Aquino) during the closing scene of “Iti Mapukpukaw (The Missing)” by Carl Joseph Papa which is one of the films that tackled issues of sexual abuse, depression and the gay/lesbian love affairs. The other films are “Rookie” by Samantha Lee, “Huling Palabas” by Ryan Machado and “As If It’s True” by John Rogers.

“Iti Mapukpukaw” is the first full-length rotoscope animation film at Cinemalaya that follows Eric’s life as a mouthless young animator at the intersections of grief and trauma.

Rotoscope is a method of animation that’s created by tracing over frame by frame of live-action footage.

Eric untangles memories from his childhood in the wake of his uncle’s death. An alien abducted him from Earth which left to him power as the destined ruler of the planet.

The death triggered Eric to remember his past as a victim of sexual abuse by his uncle during his childhood. He stopped talking as his uncle told him to remain silent. His co-worker Carlo (Gio Gahol) is his love interest and his shock-absorber.

“Speaking up is never too late. The film encourages others to speak up too. I hope that in creating Eric, I create a refuge for people who suffered the same fate as he did and a safe space where giving information, fostering understanding and initiating discourse are things we don’t have to be afraid of,” says the film director Papa.

Dolly de Leon (who plays Eric’s mother) said that the film deals on how trauma affects the ability of those who are victims to navigate the world. It is a way of healing, embracing trauma and getting over it as a young individual.

“Rookie” is a romantic comedy about young queer love and volleyball. An awkward 6-footer teen Ace (Pat Tingjuy) is forced to learn and play volleyball half-heartedly in the Catholic school she transferred. Everything changes when she meets their star player Janna (Aya Fernandez).

Director Lee said Rookie shows that queerness in sports is rarely explored: the film deals with the sensitive yet timely issues of gender inequality and objectification of women in male-dominated spaces.

The film also showed how officials of all-female schools normally address sexual harassment issues involving male teachers, professors and coaches. In order to protect the school’s reputation, the culprits are just transferred from one school to another without legal cases filed against them or without public statements made condemning their actions.

“Huling Palabas” is a coming-of-age movie that tackles themes of identity formation, abandonment, friendship and folklore.

Like the transition of entertainment technology from VHS to VCD, the sexual orientation of Andoy (Shun Mark Gomez) also transformed. 

In search for his long-lost father, a young boy’s reality becomes mystified when two movie-like characters appear in his hometown in Romblon – Ariel, a hairdresser, and Isidro, a mysterious, long-haired man who owns a VCD player.

”It’s marking the end of an era, the loss that accompanies any ending, as well as the threat of change and uncertainty by the new,” says Machado.

“As If It’s True” revolves around the love-hate relationship of James (Khalil Ramos) and Gemma Watson (Ashley Ortega). Two struggling young adults trying to find their respective spaces in this vast world: James is a struggling musician suffering from depression while Gemma is a social media influencer struggling to maintain the interest of her followers. Gemma had a previous lesbian relationship.

Director Rogers said that the film started out as a simple premise of a “friends with benefits” kind of situation, but in the lens of internet fame and influencer culture. A transactional romantic relationship being built as a brand.

Gemma took advantage of James’ depression as a content which made their relationship more complicated.

I saw several Cinemalaya films revolving on the issues of the lesbian, gay, bisexual, transgender, queer or questioning, intersex, asexual (LGBTQIA+) including “Ang Pagdadalaga ni Maximo Oliveros” when it premiered at the First Cinemalaya in 2005.

Set in the slums of Manila, the coming-of-age comedy-drama film by fellow UP alumnus Auraeus Solito is about a gay teen (Nathan Lopez) who is torn between his love for a young cop (JR Valentin) and his loyalty to his family.

Although it did not win the Best Film Award in 2005, it became one of the icons of indie films and has been included in various lists of best gay films. It was the Philippines’ official entry to the 79th Academy Awards.

This year’s 10 full-length films include Iti Mapukpukaw; Rookie; As If It’s True; Ang Duyan ng Magiting by Dustin Celestino; Bulawan Nga Usa (Golden Deer) by Kenneth De La Cruz; Gitling by Jopy Arnaldo; Huling Palabas by Ryan Machado; Maria by Sheryl Rose Andes; Tether by Gian Arre; and, When This is All Over by Kevin Mikhail Mayuga. 

The short film section also has 10 competing entries.

(𝑃𝑒𝑦𝑢𝑝𝑠 𝑖𝑠 𝑡ℎ𝑒 𝑚𝑜𝑛𝑖𝑘𝑒𝑟 𝑜𝑓 𝑈𝑛𝑖𝑣𝑒𝑟𝑠𝑖𝑡𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑃ℎ𝑖𝑙𝑖𝑝𝑝𝑖𝑛𝑒𝑠. 𝐴𝑡𝑡𝑦. 𝐷𝑒𝑛𝑛𝑖𝑠 𝑅. 𝐺𝑜𝑟𝑒𝑐ℎ𝑜 ℎ𝑒𝑎𝑑𝑠 𝑡ℎ𝑒 𝑠𝑒𝑎𝑓𝑎𝑟𝑒𝑟𝑠’ 𝑑𝑖𝑣𝑖𝑠𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑆𝑎𝑝𝑎𝑙𝑜 𝑉𝑒𝑙𝑒𝑧 𝐵𝑢𝑛𝑑𝑎𝑛𝑔 𝐵𝑢𝑙𝑖𝑙𝑎𝑛 𝑙𝑎𝑤 𝑜𝑓𝑓𝑖𝑐𝑒𝑠. 𝐹𝑜𝑟 𝑐𝑜𝑚𝑚𝑒𝑛𝑡𝑠, 𝑒-𝑚𝑎𝑖𝑙 𝑖𝑛𝑓𝑜@𝑠𝑎𝑝𝑎𝑙𝑜𝑣𝑒𝑙𝑒𝑧.𝑐𝑜𝑚, 𝑜𝑟 𝑐𝑎𝑙𝑙 09175025808 𝑜𝑟 09088665786.)

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