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๐–๐š๐ฅ๐ค๐ข๐ง๐  ๐›๐š๐ซ๐ž๐Ÿ๐จ๐จ๐ญ ๐๐ฎ๐ซ๐ข๐ง๐  ๐“๐ซ๐š๐ฌ๐ฅ๐š๐œ๐ข๐จ๐ง

๐—ž๐˜‚๐˜„๐—ฒ๐—ป๐˜๐—ผ๐—ป๐—ด ๐—ฃ๐—ฒ๐˜†๐˜‚๐—ฝ๐˜€ ๐—”๐˜๐—ฏ๐—ฝ. ๐—ฏ๐˜† ๐—”๐˜๐˜๐˜†. ๐——๐—ฒ๐—ป๐—ป๐—ถ๐˜€ ๐—š๐—ผ๐—ฟ๐—ฒ๐—ฐ๐—ต๐—ผ

Walking barefooted during the Traslacion is a symbolic gesture that emulates Christโ€™s suffering as he was carrying his cross to Golgotha.

I was able to personally witness for the first time the procession of the Black Nazarene in Manila called โ€œTraslacionโ€, which in Spanish means โ€œpassageโ€ or โ€œmoving something from one place to anotherโ€.

The Traslaciรณn is held every 9th of January as a re-enactment of the โ€œsolemn transferโ€ from Intramuros to the Quiapo Church of the Black Nazareneโ€™s replica, which was brought to the Philippines in 1606. It depicts Jesus en route to his crucifixion.

In 1608, the icon was enshrined at the Recollect Church of San Nicolรกs de Tolentino in the walled city of Intramuros. It was moved to the Saint John the Baptist Church (now known as the Quiapo Church) on January 9, 1787.

This yearโ€™s traslacion took almost 15 hours after it started at around 5:00 a.m. from the Quirino Grandstand. The procession then passed through the narrow streets of Manilaโ€™s San Miguel and Quiapo districts before ending at the Minor Basilica and National Shrine of Jesus Nazareno at 7:45 p.m.

A feature of traslacion is the โ€œDungawโ€ or โ€œLa Mirataโ€ ritual, which is the historic practice of the San Sebastian and Quiapo churches, the Black Nazarene meets the image of Nuestra Seรฑora del Carmen de San Sebastian.

The 2012 Traslaciรณn was the longest in recorded history as it ended 22 hours after leaving the Quirino Grandstand. The Black Nazarene arrived at Plaza Miranda around 5:15 oโ€™clock the next morning.

From 2021 to 2023, the traditional Traslaciรณn was cancelled due to the COVID-19 pandemic.

Filipino Catholics are known for having sincere, enormous and extreme expressions of piety considering that the country has the third-largest Catholic population in the world.

The fervent devotion and faith shown by devotees became a prime manifestation of the fusion of Catholic and secular beliefs and practices of Filipinos.

Large crowds donned in predominantly maroon and yellow shirts waved white towels in the air as they forcefully gathered towards the carriage called โ€œandasโ€ as it crawled through the generally narrow roads of the city.

Many devotees join the processions as part of their โ€œpanataโ€ (vow) which is usually carried out as a plea to God or as thanksgiving for healing, blessing or granting of/granted wish.

The statue is believed to have magical and healing powers that can heal illnesses and grant miracles.

Devotees believe that walking barefoot, wiping the image with the towels, holding and pulling the ropes of the andas and even climbing the carriage, will get them closer to achieving their prayers.

Devotees vie to touch the Kanang Balikat, or the rope to the side of the image’s right shoulder, due to the belief that it possesses great sanctity as holding it is closer to imitating the image bearing the Cross.

Devotees use physical force to aggressively touch the image mounted on the andas.

I remember my father attending the annual Traslacion until he stopped when he was diagnosed with diabetes. It will be dangerous for him to walk barefooted like the other devotees due to the possibility of wounds.

Although I just wanted to be a bystander watching the traslacion, I was accidentally pushed at a certain point to the โ€œagosโ€, which translates to โ€œwavesโ€, or the sea of devotees where one is forced to go with the direction of the crowd.

Historian Xiao Chua explained in an interview that Filipinos are โ€œvisualโ€ people when it comes to faith and history who like to tell stories by acting them out in the form of mass gatherings like processions.

He said that it is a symbolic gesture that emulates Christโ€™s suffering while carrying the cross to Golgotha.

Xiao noted that the โ€œsimulated choreographed crazeโ€ and the hardships of the devotees โ€“ being pushed around during the procession โ€” โ€œis like showing God that one is making sacrifices, atoning for his sins and making him reflectโ€.

I sometimes jokingly link the traslacion with the University Athletic Association of the Philippines (UAAP) as the color maroon is associated to the traslacion and the University of the Philippines (UP). In fact, I wore a UP maroon shirt and a UPFight headband during the traslacion.

The Catholic Bishops Conference of the Philippines (CBCP) approved July last year the proposal to make January 9 a nationwide religious event.

The Peรฑafrancia Festival in Naga City has two Traslacions every September for the transfer, from the Basilica to Naga Cathedral and back, of the Divino Rostro (Divine Face of Jesus) and โ€œInaโ€ or Our Lady of Peรฑafrancia, patroness of the Bicol Region.

Penafrancia, which has been described as the biggest Marian event in Asia, is a celebration of two feasts โ€” Divino Rostro on the second Friday of September and Our Lady of Peรฑafrancia (Ina) on the following week.

๐‘‰๐‘–๐‘ฃ๐‘Ž ๐‘†๐‘’๐‘›๐‘ฆ๐‘œ๐‘Ÿ ๐ฝ๐‘’๐‘ ๐‘ข๐‘  ๐‘๐‘Ž๐‘ง๐‘Ž๐‘Ÿ๐‘’๐‘›๐‘œ!

*****

๐‘ƒ๐‘’๐‘ฆ๐‘ข๐‘๐‘  ๐‘–๐‘  ๐‘กโ„Ž๐‘’ ๐‘š๐‘œ๐‘›๐‘–๐‘˜๐‘’๐‘Ÿ ๐‘œ๐‘“ ๐‘ˆ๐‘›๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘–๐‘ก๐‘ฆ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘ƒโ„Ž๐‘–๐‘™๐‘–๐‘๐‘๐‘–๐‘›๐‘’๐‘ . ๐ด๐‘ก๐‘ก๐‘ฆ. ๐ท๐‘’๐‘›๐‘›๐‘–๐‘  ๐‘…. ๐บ๐‘œ๐‘Ÿ๐‘’๐‘โ„Ž๐‘œ โ„Ž๐‘’๐‘Ž๐‘‘๐‘  ๐‘กโ„Ž๐‘’ ๐‘†๐‘’๐‘Ž๐‘“๐‘Ž๐‘Ÿ๐‘’๐‘Ÿ๐‘ โ€™ ๐ท๐‘–๐‘ฃ๐‘–๐‘ ๐‘–๐‘œ๐‘› ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘†๐‘Ž๐‘๐‘Ž๐‘™๐‘œ ๐‘‰๐‘’๐‘™๐‘’๐‘ง ๐ต๐‘ข๐‘›๐‘‘๐‘Ž๐‘›๐‘” ๐ต๐‘ข๐‘™๐‘–๐‘™๐‘Ž๐‘› ๐ฟ๐‘Ž๐‘ค ๐‘‚๐‘“๐‘“๐‘–๐‘๐‘’๐‘ . ๐น๐‘œ๐‘Ÿ ๐‘๐‘œ๐‘š๐‘š๐‘’๐‘›๐‘ก๐‘ , ๐‘’-๐‘š๐‘Ž๐‘–๐‘™ ๐‘–๐‘›๐‘“๐‘œ@๐‘ ๐‘Ž๐‘๐‘Ž๐‘™๐‘œ๐‘ฃ๐‘’๐‘™๐‘’๐‘ง.๐‘๐‘œ๐‘š, ๐‘œ๐‘Ÿ ๐‘๐‘Ž๐‘™๐‘™ 0917-5025808 ๐‘œ๐‘Ÿ 0908-8665786.

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๐ƒ๐ž๐ฅ๐ข๐ ๐ก๐ญ๐Ÿ๐ฎ๐ฅ, ๐๐ž๐ฅ๐ข๐œ๐ข๐จ๐ฎ๐ฌ ๐‹๐ฎ๐ง๐œ๐ก ๐š๐ญ ๐‡๐ข๐ฅ๐ญ๐จ๐ง ๐‚๐ฅ๐š๐ซ๐คโ€™๐ฌ ๐—๐ข ๐‘๐ž๐ฌ๐ญ๐š๐ฎ๐ซ๐š๐ง๐ญ

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